Myanmar is a reticent host -- it welcomes foreign tourists but does not go out of its way to entice them. The archaic Yangon airport is grimly depressing, and the country is still ruled by generals. Most visitors seem to be traveling there as individuals or as members of small tours. Facilities range from luxurious to basic, and its internal air transportation is remarkably efficient, featuring new airports in Bagan and Mandalay. Its sights can be breathtaking, and its people are open, kind and distinctive. Myanmar might lack the western amenities of neighboring Thailand -- even credit cards are banned. Yet Myanmar's temples and monasteries are as vibrant as any in Asia. Enjoy these images and draw your own conclusions. (Be sure to click on each "view full size image" link to see maximum detail.)
(The first article covering this trip offers 105 visual impressions of neighboring Laos. You can view it at: http://www.worldisround.com/articles/139137/index.html .)
If you've viewed the previous articles I've posted on this site, you'll note that my photographic intentions are focused on interpretation, rather than description. I've continued to do this in these articles on my 2005 Southeast Asian adventures. I want my pictures to express how I feel about what I see, rather than just recording what I've seen or where I've been. Aside from sharing my pictures with you on this website, I also use some of them to teach the principles of expressive travel photography through my galleries on pbase (www.pbase.com/pnd1) as well as in my Sedona workshops for corporate photojournalists, and in my tutorial workshops in Phoenix for newcomers to digital photography.
These images were gleaned from the more than 4,000 digital pictures I shot during my three weeks spent in these places. I used three digital cameras, a Leica Digilux 2, and a Panasonic FZ-20 -- both five megapixel fixed lens cameras, as well as a seven megapixel fixed lens Canon G6.
All of the Canon photographs were taken with a Canon .7x wideangle converter placed over my zoom lens, which provided me with the equivalent of a 24mm wideangle lens, a focal length that I feel is essential for effective travel and landscape photography.
The Lieca Digilux 2 offers an incredibly sharp f/2.0 28mm-90mm zoom lens, and an oversized sensor, which creates images with extra fine detail. It also functions without noticeable shutter lag, allowing me to stop action as desired. I used the Leica D-2 very rarely on this trip.
The most heavily used camera on this trip was the Panasonic FZ-20, which features an amazing 36mm-432mm Leica f/2.8 lens with image stabilization, allowing me to use its long telephoto reach in low light situations with remarkable clarity.
I've edited all of these images with Photoshop to correct and refine the hue, color, contrast and sharpness levels, hopefully making my pictures more vibrant and meaningful. Although all of these photographs were digitally enhanced to some degree, none of the content has been significantly manipulated. The facts are all here, as I captured them.
I hope you will enjoy my photographic impressions. Please post any comments at the end of the article, or ask me any questions you might have via email.
Phil Douglis Director, The Douglis Visual Workshops, Phoenix, Arizona, pnd1@cox.net

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